One Big Party Review: Winky D & Jah Prayzah Shine Despite Technical Disasters
Event Review | December 31, 2025 | Glamis Arena
Written By:
Oudney Patsika,
the Editorial Strategist at
Sona Headlines
Master Steward at
Leaders Mandate AND
Editor-in-Chief & Vision Architect at
Polaris SuperBrands
The "One Big Party" concert was billed as the ultimate shutdown to 2025, bringing Zimbabwe's two musical titans—Winky D and Jah Prayzah—onto one stage. While the performances were historic, the night was marred by severe sound failures and a controversial interruption.
| Fans celebrate the unity, but slam the organization. |
From the electric "Gafa" chants to the traditional rhythms of "Wagwizi," the atmosphere was palpable. However, as the dust settles on January 1, 2026, the conversation has shifted from the brilliance of the artists to the incompetence of the technical setup and the alleged censorship of Jah Prayzah's set.
The Performances: A Masterclass in Zimbabwean Music
Despite technical setbacks, Winky D and Jah Prayzah delivered unforgettable performances that left Glamis Arena and Zimbabwean fans worldwide buzzing.
The Closer: Winky D took the stage with an energy that electrified the arena, leading fans into the New Year with a performance described by many as "spiritual and transcendent." His ability to connect with the crowd demonstrates why he is considered Zimbabwe’s king of dancehall and urban music.
- Key Track: Dzimba Dzemabwe – A patriotic anthem that had thousands singing in unison, reinforcing national pride and unity.
- Highlight: The Ghettocracy segment powerfully spoke to the struggles and triumphs of Zimbabwe’s urban youth, showcasing Winky D’s lyrical depth.
- Performance Vibe: Unapologetic, high-octane, and immersive — blending dancehall, hip-hop, and interactive crowd moments.
- Impact: Social media erupted with clips and hashtags praising Winky D for turning a challenging night into a historic New Year’s Eve moment.
The Opener: Jah Prayzah, backed by the full force of the 3rd Generation Band, delivered a dynamic set blending traditional Mbira rhythms, Afro-pop melodies, and high-energy choreography. His performance celebrated Zimbabwean culture while keeping the audience on their feet throughout.
- Key Tracks: Sarungano & Tsviriyo – Songs that highlighted both his musical versatility and mastery of crowd engagement.
- Highlight: His flawless dance routines and stage presence kept energy levels high despite ongoing sound issues, proving his stamina and professionalism.
- Controversy: The performance of Chiremerera sparked debate due to an unexpected interruption, turning it into a flashpoint of the night (see section below).
- Impact: Fans and critics alike praised Jah Prayzah for maintaining cultural authenticity while delivering a commercially powerful stage show.
"Sound yaChipaz": When Technical Failures Nearly Stole the Show
Despite Winky D and Jah Prayzah’s electrifying performances, the night was plagued by serious sound failures, delayed cues, and repeated microphone issues—earning the nickname "Sound yaChipaz" among frustrated fans. The technical chaos tested the artists’ professionalism but did little to dampen the crowd’s energy.
Social media is ablaze with the phrase "Sound raChipaz" (Chipaz's sound), which has become a meme for incompetence. Attendees reported that the sound was often distorted, too low for the massive Glamis Arena crowd, or cutting out entirely during peak moments. For a concert priced at international standards ($20 - $200), the technical delivery was described as "amateur."
It wasn't just the physical attendees who suffered. The Diaspora audience, paying for the official livestream, reported frozen screens, terrible audio feeds, and connectivity issues. Many demanded refunds, calling the digital experience a "scam."
The "Chiremerera" Incident: Controversy on Stage
Jah Prayzah’s performance of "Chiremerera" became the flashpoint of the evening when it was unexpectedly interrupted, sparking debate among fans and social media. While the reasons remain unclear, the moment highlighted tensions between artistic expression and event management, leaving audiences both shocked and buzzing with discussion long after the concert ended.
The most politically charged moment of the night occurred during Jah Prayzah's set. While performing his hit song Chiremerera—a song often interpreted with political undertones regarding leadership and legacy—reports indicate a show organizer interrupted the set.
The Reaction: Witnesses claim the artist was signaled to stop or cut the song short, allegedly told "it's enough." This left fans shocked and angry, viewing it as censorship in real-time. The mood in the VIP section reportedly turned tense immediately following the interaction.
Historic, But Flawed: A Night of Triumph and Turmoil
The "One Big Party" achieved a cultural milestone: Winky D and Jah Prayzah shared the stage, uniting Zimbabwe’s divided fanbase. The "Gafa" and "Wagwizi" communities celebrated together peacefully, proving that music can bridge rivalry and bring people together in joyous harmony.
But the night was not without flaws. Technical execution fell short, with repeated sound failures and production mishaps. Chipaz Promotions faces justified criticism, showing that even world-class talent cannot fully shine without top-tier infrastructure. Until Zimbabwean promoters invest in professional-grade stage, audio, and lighting systems, epic performances will risk being undermined by avoidable technical issues.
Final Verdict:
Performances: 10/10
Production: 3/10
Legendary artists, yet a reminder of the work needed behind the scenes.
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