Leader of the band Hurudza Express, First Farai's journey is a complex mix of talent, ambition, and a string of scandals that continue to tarnish his image.

Early Life and Musical Beginnings

Born Aliya Mwanambo in Chinhoyi, First Farai's life took a tragic turn when his mother passed away while he was still in Grade Three. Despite this hardship, his passion for music burned bright. By September 1978, First Farai's musical aspirations began to take shape.

Finding Success and Facing Challenges

A defining moment arrived in 2002 when First Farai represented Zimbabwe at the Inter-regional Music Crossroads finals in Tanzania. This exposure fueled his determination to succeed. His album "Simba Racho" featuring the hit song "Secret Number" marked a breakthrough, propelling him into the limelight. However, replicating that initial success proved difficult.

First Farai's struggle to convert fame into financial gain became a recurring theme. He often performed at national galas with little financial reward. In 2014, the frustration reached a peak, leading him to suspend live shows, claiming he was essentially "donating his energy" due to lack of profitability. This decision, however, cut him off from a crucial source of income and audience connection.

Accusations and Controversy

First Farai's career has been plagued by accusations of plagiarism and misconduct. Comparisons to the legendary Sungura maestro Tongai Moyo dogged him, with some labeling him a mere imitator. While musical inspiration can be evident, First Farai possessed a unique voice and energetic stage presence that could have carved out its own space in the genre. However, by inviting comparisons through his own actions, such as reportedly receiving a red jacket as a gift from Moyo, he fueled the accusations of imitation.

The Tumultuous Life of First Farai - From Sungura Stardom to Scandal!

A more serious allegation emerged in 2011 when fellow musician Hosiah Chipanga accused First Farai of stealing condolence money at Cephas Mashakada's funeral. 

Facing public scrutiny, First Farai attempted to clear his name by threatening to name his next album "Mari Yechema" (condolence money), a song that never materialized. This episode not only damaged his reputation but also cast a shadow over his sincerity and respect for tradition.

Financial Troubles and Legal Issues

The financial woes continued to plague First Farai. In 2014, he faced the repossession of his sound equipment by Hard Sounds due to unpaid installments. This incident highlighted a recurring issue of mismanagement, jeopardizing his ability to perform and generate income. The following year, his career took another hit with an arrest for allegedly assaulting a music fan during a show in Hwedza. These legal troubles further eroded public trust and painted a picture of instability.

A Downward Spiral and a Damaged Reputation

First Farai's troubles extended beyond financial mismanagement. A 2017 incident saw him orchestrate a hoax, claiming his mother had passed away to collect condolence money from well-wishers. The elaborate lie unraveled when investigations revealed his mother had actually died in his childhood. Confronted by The Herald newspaper, First Farai reportedly resorted to emotional manipulation, shedding tears and threatening suicide. This act of desperation not only exposed a deep moral failing but also raised questions about his mental well-being.

A Legacy Tarnished

First Farai's story is a cautionary tale of squandered potential. Undoubtedly, he possesses musical talent. However, a string of questionable actions and controversies have overshadowed his artistic achievements. As First Farai navigates his future, the question remains: can he overcome the scandals and reclaim his place in the hearts of Sungura music fans? Only time will tell if the music will rise above the noise of controversy.

Beyond the Headlines

First Farai's story also offers a glimpse into the challenges faced by musicians in Zimbabwe. The struggle to secure financial reward from live performances and a lack of robust music industry structures can create a precarious existence.